Reviews & Awards

Napoleon: Total War Reviews

“With regard to the sound here all good news. The soundtrack is once again one of the strong fortresses of the game, the dubbing is good and audio effects as majestic as ever during the fighting” – 3D Juegos

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55th Ivor Novello Award – Nominated

Richard Beddow and his composing team for Empire: Total War have been nominated for Best Original Video Game Score in the 55th Ivor Novello Award which will take place on Thursday 20th May at the Grosvenor House, London.

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Empire: Total War Soundtrack Reviews

Screen notes
“Final Score: As seems to be the case lately, here is another game score that can outplay most film soundtracks! In Empire: Total War, there are moments of large scale excitement to engage in as well as a consistent style of relevant music throughout that you’ll enjoy. This one earns a solid [...]

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Empire Total War Reviews

The sounds of combat really bring the action to life, and a great score adds a lot to the mood. IGN – 9/10

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Develop 2009 Audio Accomplishment Award – Nominated

Richard Beddow and his audio team have been nominated for the Audio Accomplishment Award at the 2009 Develop Awards.

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Viking: Battle for Asgard Soundtrack Reviews

“It’s been far too long since I’ve been swept away by a score that’s truly original. While listening to “VIKING: Battle for Asgard,” that’s the realization that swept over me.” – ScoreNotes

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Wakeboarding Unleashed – Shaun Murray Reviews

“A quirky but awesome soundtrack gives the game its own vibe” – GamePro

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Viking: Battle for Asgard Reviews

The audio featured throughout Battle for Asgard is fantastic in all departments and is by far one of its strongest areas. As soon as you fire up the single player campaign and hear the deep, powerful tones of Brian Blessed, you know the game is going to be wonderfully narrated and he always delivers without fail.

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Deepfighter Reviews

“Equivalent to any oceanic movie you’ve seen in the last twenty years, the score is sporting some serious kick.” – IGN

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Suzuki Alstare Racing Reviews

From the incidental scrape of hard iron against the pavement, to the revving of the engines, the audio element is solid and realistic – Game Zone

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